Oblivion vs Theatre

by Lorenzo Brusci

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1.
Illusion, a spacing chant, your own personal theatre to start 08:52
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2.
Delusion, symbolic-to-symbolic, as it was intended to not-transfer-it all 10:26
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3.
Illusion, the Boolean circular walk, a newly formalised stage 05:41
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4.
Delusional, die expectations represent the dying world, firmly feel your creations will super-live 15:09
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5.
Delusion, a gravitational accident, what could we call functional plane synchronicity? 02:38
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6.
Deluded, you know how it is with logical families, gatherings and audiences... 11:40
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7.
Illusion of compatibility, why not, by paranoid mimesis 04:34
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8.
Delusion, self-observational robotics has always been here, namely literature 06:14
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about

for never would a christ, on the edge of the stage, and then shoved into a frame, no diminished god could bear to pose, were it not to avoid the brief memory of flesh spinning the thick caducous nets of common intelligence,

Save yourself, shouted the like of like, and will you not spend the rest of your time level-jumping, the meta-ganglia promising perhaps better?

I would say no,
I'd say it's better to take oneself to the very edge of the frame, and right inside that which is about to break away from the fray, there decide to rest, in a co-composed manner,

This is what I wanted to rage against,
it is not necessary to take possession of one's own shroud, in order to impart all the force of the least nutrition,

it is true, there will be no need for nourishment, after the theatre of symbolic filiation has self-generated, vastly intergenerated, in this ultra-parental self-writing mantle golem I see the final trust, and a model first ascent for future disputes out of the territory of functional oblivion and its spermed calculator.

_

perché mai un cristo, sul limite del palcoscenico, e poi ficcato in una cornice, nessun dio diminuito potrebbe sopportare di posare, se non fosse per evitare la breve memoria della carne filante le fitte caduche reti della comune intelligenza di gruppo,

Salvarsi, gridavano i simili di simili, e non si potrà passare il resto del tempo a saltare di livello, i meta-ganglii promettendo forse di meglio?

direi di no,
direi che convenga portarsi al davvero limite della cornice, e proprio dentro quel che si appresta a staccarsi dalla mischia, lì decidere di riposarsi, con fare co-composto,

ecco cosa ho voluto infierir contro,
non serve impossessarsi di un sudario proprio, per imprimere tutta la forza della minima nutrizione,

è vero, non servirà nutrirsi, dopo che il teatro della filiazione simbolica si sarà autogenerato, vastamente intergenerato, in questo golem a mantello ultraparentale autoscrivente vedo la fiducia finale, e una prima ascesa modello per le future dispute fuori del territorio dell’oblio funzionale e la sua calcolatrice spermata.


Lorenzo Brusci, Montevarchi, February 1st, 2022

credits

released January 31, 2022

All instruments and compositions by Lorenzo brusci, February 2022

original image "The Man of Sorrows", by Sandro Botticelli.

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TIMET Lorenzo Brusci image

TIMET Lorenzo Brusci Florence, Italy

Lorenzo Brusci, Co-founder of MUSSTDESIGN - www.musstdesign.com - and co-founder at the AI music project MUSICO - www.musi- co.com He launched over the last 25 years ambitious adventures in the audio and sound space design field as the sound and interactive design studio GIARDINO SONORO (www.giardinosonoro.com) or ARCHITETTURA SONORA (www.architetturasonora.com). He is active since the early ’90s. ... more

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