It's a daily exercise, while locked in,
to represent friends, their passions, crisis, motions, ambling, rolling, jaunty, saunter, prancy, shamble, limping, confident, stately walking around me, as always, now and forever (...).
_
These (almost integrally-linear) transfiguration-acts, make explicit the reference of an 'abstraction-process' - combining/naturalizing analytics and synthetics, as it rarely happens in contemporary art mechanisms.
It's a relaxing and passionate game around ... past, present,
making more present the past, making the present full of past traces, making traces alive again and again, sometimes making the old context a new context, we simply reopen critical cross-roads any contemporary making could benefit: this is a time where remembering has a particular meaning (...).
Puccini, Messian, a traditional Korean song, Mahler, Offenbach, Cimarosa, Bach, Lutoslawski...
their scores become a compositional linear frame to inspire the electronic contextualization, not far away from what a Dj does when meta-operates choices assuming Lps and Records of all kind, integrally available for his analog/digital contextualization/alteration acts (...).
In a few hours, the music comes together.
Mainly sound designing on the fly.
A potential and vivid scenario for intertemporal-music djing.
Montevarchi, March 17, 2020
credits
released March 23, 2020
On the Drum, AI-driven IMPRO Beat by MUSICO (www.musi-co.com)
Metamusic by Lorenzo Brusci
All editing and post-production, Lorenzo Brusci, @ TIMET Studio, Montevarchi, Italy
Lorenzo Brusci, Co-founder of MUSSTDESIGN - www.musstdesign.com - and co-founder at the AI music project MUSICO - www.musi-
co.com He launched over the last 25 years ambitious adventures in the audio and sound space design field as the sound and interactive design studio GIARDINO SONORO (www.giardinosonoro.com) or ARCHITETTURA SONORA (www.architetturasonora.com). He is active since the early ’90s....more
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