it's computer music, but it's jazz, I love jazz thinking as an ideal trajectory towards infinite development, pragmatic unlimited analogy making;
all is played or meta played by the same quarantined person, no surprise so far.
I'm, as many are along with me, a constant emergency bridge, between what and how we experienced utterance and a newly dense and forced, constrained, capacity to explore the symbolic mediation: ...emergency, it has a lot to do with jazz thinking, as a minority statement. The antagonist spirit inside wide spread/horizontal symbolic practices - popular cultures as a bulk bucket of routines - is still a guiding light, when it comes to make instantly available radical value-making strategies.
- Shadow is a relevant musical counterpart of this work.
Allusions, illusions, interplaying, physical, mental, old and new friends, presences persisting challenges, sometimes bearable, sometimes not...
All-together with a personal rethinking of Jazz-Till-free Jazz and its political and psyco-geographic despair.
Liberating music from non-liberated-musicians and from the non-politically-aware audiences, was this the aim of free jazz?
Thanks to the afro-american music we Europeans came to know what we could potentially be, outside of any theatrical and entertaining aristocrat bourgeoise stage-power music mechanism,
time to build new intertemporal symmetrical interactive music/symbolic-auditive staging,
where music and musicians are anything useful-to-say I love you or anything you need to express
in ways way-far-more similar to intensive-habitats and living things,
than to a fixed staged music piece or rotten saturated words...
Lorenzo Brusci, Co-founder of MUSSTDESIGN - www.musstdesign.com - and co-founder at the AI music project MUSICO - www.musi-
co.com He launched over the last 25 years ambitious adventures in the audio and sound space design field as the sound and interactive design studio GIARDINO SONORO (www.giardinosonoro.com) or ARCHITETTURA SONORA (www.architetturasonora.com). He is active since the early ’90s....more
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