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Percussive Speculation on Matter and Gestures

by Lorenzo Brusci TIMET, Heinz Lieb

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about

Percussive Speculation on Matter and Gestures.
How-to-explore the many-worlds with-and-within a new-body.

- the subtracted body still emanates
its material justification.

"Imitazione dell'animale,
tentando di esplorare il mondo con una corporeità (percussione) senza attacco;
eppure la memoria dell'attacco resta.
Mano nella calce, mano nella supervisione della costruzione remota...".

"Imitation of the animal,
trying to explore the world with a (percussive) corporeity without "attack";
yet the memory of the attack remains;
hand in lime, hands-on in the supervision of remote building. "

- Distance from matter, hands know.
Always knew.
When introducing a new human-machine interface,
hands will take care of the last glimpse of proximity,
tightening the last grip on its conditioning proxemics,
and back to the neurological mapping.

[Hands, density, intensity,
distance, separation, alteration, symmetry,
a-synchronicity, deviation, collaboration,
in-sensitivity, repetition, inflammation,
consideration, resistance,

and always, exploration, pre-existence,
referring to higher dimensionalities of
abstraction, by assumption - for
reproduction,

hands, density, intensity, distance, separation, alteration, symmetry, synchronicity, deviation, collaboration,
sensitivity, repetition, inflammation,
consideration, resistance,

and always, exploration, referring to higher dimensionalities of
abstraction, for
reproduction]

April 2020, Montevarchi,
LB

credits

released April 3, 2020

Free and guided improvisations on Drums, Heinz Lieb
Live electronics, post-production and composition, Lorenzo Brusci

St.Gallen, Rorschach, Montevarchi, Berlin, Krakow, 2015-2016

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On the mixing:

The central part of the stereophonic image is intentionally kept extensively empty, to let the central-sound-image free for your
correlated-decorrelated thinking.

It was originally intended for music thinking, and singing;
it's now an acoustic-haven-niche-hot-spot,
where to isolate your soundscape-related thinking flow.
But also an ideal acoustic spot for soloists to adapt.

Some of these material were used in another almbum, Explorations, for Saxophone and Electronics, composition shared with Giovanni Nardi.

Enjoy the experience.
LB

license

Some rights reserved. Please refer to individual track pages for license info.

tags

about

TIMET Lorenzo Brusci Florence, Italy

Lorenzo Brusci, Co-founder of MUSSTDESIGN - www.musstdesign.com - and co-founder at the AI music project MUSICO - www.musi- co.com He launched over the last 25 years ambitious adventures in the audio and sound space design field as the sound and interactive design studio GIARDINO SONORO (www.giardinosonoro.com) or ARCHITETTURA SONORA (www.architetturasonora.com). He is active since the early ’90s. ... more

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