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Orchestral Celestial Works

by Lorenzo Brusci TIMET

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1.
A place for quite-reversible souls 05:28
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2.
Ada d'Arco, la foresta umana risolleverà cantandoci 12:40
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3.
The experimental life is here to stay, in earth wind and fire 09:28
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4.
The pragmatic translator, east-west-north-south, an idiomatic unifier of the explicit mass 10:06
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5.
The Cloud Man in Faith and Praxis, always runs 12:54
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6.
Praising the intertemporal multitude to overcome, in whatever sensitivity 09:08
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about

let the water flow, and the air blow, the fire burn, the flower sprout,
the power and potential of techno-music,
music is its own technology of expression,
mechanisms coming to continuous synthetic transfigurations...
past in present, present in constant making, past in future, through present making, unmaking, future shaping through past re-compositional thinking, and deconstructing, reversible in versing, reversing in heading where, reaching by suspending, remembering and recurring, spreading and fantastically hiding, letting others fruitfully reopening and re-arranging, de-arranging...

Brahms, Barber, Dolan, Mahler, Birds&Forests, Arabic random sources,
inspiring references, implicit explicit, recurrent, disappearing,
re-manifesting their will, as much as ours.

#IntertemporalDjing
#metamusic action

credits

released April 8, 2020

post-produced at TIMET studio, Montevarchi, (Italy)

all music by Lorenzo Brusci.
Rights are significantly not-reserved but severely open (...).

[Anyone is allowed to copy this work, if you can-please-admit&refer to it]

April 2020.

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all rights reserved

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about

TIMET Lorenzo Brusci image

TIMET Lorenzo Brusci Florence, Italy

Lorenzo Brusci, Co-founder of MUSSTDESIGN - www.musstdesign.com - and co-founder at the AI music project MUSICO - www.musi- co.com He launched over the last 25 years ambitious adventures in the audio and sound space design field as the sound and interactive design studio GIARDINO SONORO (www.giardinosonoro.com) or ARCHITETTURA SONORA (www.architetturasonora.com). He is active since the early ’90s. ... more

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